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・ March 12
・ March 12 (album)
・ March 12 (Eastern Orthodox liturgics)
・ March 13
・ March 13 (Eastern Orthodox liturgics)
・ March 14
・ March 14 (Eastern Orthodox liturgics)
・ March 14 Alliance
・ March 14, 1891 lynchings
・ March 15
・ March 15 (Eastern Orthodox liturgics)
・ March 15 incident
・ March 1504 lunar eclipse
・ March 16
・ March 16 (Eastern Orthodox liturgics)
March 16–20, 1992
・ March 17
・ March 17 (Eastern Orthodox liturgics)
・ March 17, 2007 anti-war protest
・ March 18
・ March 18 (Eastern Orthodox liturgics)
・ March 18 Massacre
・ March 1875 Southeast tornado outbreak
・ March 1890 middle Mississippi Valley tornado outbreak
・ March 18–20, 1956 nor'easter
・ March 18–21, 1958 nor'easter
・ March 18–24, 2012 tornado outbreak sequence
・ March 19
・ March 19 (Eastern Orthodox liturgics)
・ March 19, 2008 anti-war protest


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March 16–20, 1992 : ウィキペディア英語版
March 16–20, 1992

''March 16–20, 1992'' is the third studio album by alternative country band Uncle Tupelo, released on August 3, 1992. The title refers to the five-day span during which the album was recorded. An almost entirely acoustic recording, the album features original songs and covers of traditional folk songs in near equal number, and was produced by R.E.M. guitarist Peter Buck.
Along with the rest of the Uncle Tupelo back catalog, this album was re-released in 2003.
==Background==
In 1990, R.E.M. guitarist Peter Buck attended an Uncle Tupelo concert at the 40 Watt Club in Athens, Georgia. Buck was particularly impressed with the band's rendition of the Louvin Brothers' "Great Atomic Power", and contacted the band after the show. Uncle Tupelo singers Jay Farrar and Jeff Tweedy exchanged their interests in bluegrass music with Buck, and decided to collaborate on an acoustic music project in the future.〔Kot 2004, p. 61〕
Two years later, the alternative rock of bands such as Nirvana broke into the mainstream. Farrar was irate about the pressure from the music industry to sound like the trend:
This should insulate us from that industry bullshit, people looking for the next Nirvana. I don't think anybody is the next Nirvana, certainly not us. People always talk about the next Beatles, the next Elvis. You can't predict that stuff.

Uncle Tupelo's frustrations with their record label Rockville Records grew when the label refused to pay the band's royalties for the sales of their first two albums. This resulted in a "nothing-to-lose context" for the recording of a third album. In what was a sharp contrast to the popular music styles at the time, Uncle Tupelo decided to record an album of folk songs.〔Kot 2004, p. 63〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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